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BDSM can be described as a subculture or alternative lifestyle choices for adults with particular tastes toward bondage, discipline, fetish, kink, and sado masochism culminating in consensual power play, pain and pleasure by its participants to enhance an erotic relationship. The term BDSM literally means: bondage and discipline, sadism and masochism.
The dynamics of a BDSM relationship are characterised by its participants adopting the consensual roles of slave or submissive, and surrendering themselves to the domination of a Mistress or Master for erotic gratification between both parties. It is important to emphasise however, that there is a widely recognised and respected code of conduct for activities undertaken within the realms of BDSM and sado masochistic play which is “safe, sane and consensual” at all times during a scene. The basic principles of BDSM require that it be performed by responsible partners, of their own free will and in a safe way which means that everything is based on safe, rational and consensual behaviour of all parties. This mutual consent highlights a clear legal and ethical distinction between BDSM and crimes such as sexual assault or domestic violence.
BDSM encompasses a broad spectrum of activities such as bondage, discipline, slave training, spanking, CBT, nipple torture, electro torture, anal play, strapon, fisting, humiliation, spanking, corporal punishment, slapping, spitting, needle play, hot wax, forced feminisation, sissy slut training, water sports, foot worship, stiletto worship, boot worship, trampling, mummification, to name a few.
Traditionall, some of the props of the performance are gags, whips, crops, paddles, ropes, cuffs, collars, straight jackets, straps and hoods, and indeed the Dominatrix or Master being the ultimate tool and facilitator of the kinky scenario.
Until the mid-nineties, the BDSM and fetish subcultures were still largely underground communities, however social acceptance swiftly escalated due to the prevalence of material available via the world wide web. It seems the internet has revolutionized our sex lives and provided us the luxury of exploring our darkest desires in the privacy of our own homes with downloadable BDSM, fetish and femdom movies at our fingertips.
These domination and femdom themed movies are likely to portray men and women experiencing various forms of bondage, discipline, punishment and torture and being consensually “forced” to endure submission, humiliation or sexual slavery by a femdom or master applying various methods of torture, punishment and discipline. Oh and yes, if you’re wondering, statistics show that a lot of people like it. Whether they are physically on the receiving end from their adored masochist or satisfying their individual fetish and kinks by watching BDSM, femdom and fetish movies, chances are there are a lot more people aroused by this secret world than they would openly admit.
The internet also paved the way for like-minded people to communicate not only locally, but world wide which in turn triggered an explosion of interest and knowledge of BDSM, kink, fetish and S & M. In addition, there has also been an explosive demand for traditional sex shops and online adult toy companies to stock fetish toys and fetish fashion, offering leather, latex, rubber and PVC.
Fortunately, the blossoming of websites offering BDSM movies has been a godsend for those curious, shy little creatures with no means of fulfilling their desire for slave training and servitude in the real world enabling them to explore their inner slave. Now they can download a session with an international BDSM Mistress and take all the punishment their little heart desires at a safe distance without those little telltale torture marks that tell their partner they have a penchant for a Femdom Mistress.
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Abstract Art is a wide movement in American painting that began during the late forties and turned into a predominant trend in Western painting in the fifties. The top American Abstract Expressionist painters were Jackson Pollock, Willem de Kooning, Franz Kline, and Mark Rothko. Some others included Clyfford Still, Philip Guston, Helen Frankenthaler, Barnett Newman, Adolph Gottlieb, Robert Motherwell, Lee Krasner, Bradley Walker Tomlin, William Baziotes, Ad Reinhardt, Richard Pousette-Dart, Elaine de Kooning, and Jack Tworkov. Several of them worked, lived, or showed their work in New York City.
While it is the generally accepted designation, Abstract Expressionism is not the most apt category of the works created by these artists. Indeed, the movement consisted of lots of different painterly styles that were different in both technical skill and quality of application. Despite this, Abstract Expressionist paintings also share some broad characteristics. They are basically abstract — that is, they show forms not drawn from the visible world.
They furthermore display open, spontaneous, and individual emotional expression, and they show high freedom of skill and method to create this goal, with a particular emphasis laid on the use of the malleable physical form of paint to call up expressive qualities (for example, sensuousness, dynamism, violence, mystery, lyricism). They lay similar emphasis on the unstudied and intuitive use of the paint in a process of psychological improvisation in the style of the automatism of the Surrealists, with the likewise purpose of expressing the force of the creative subconcious in art. They demonstrate the rejection of conventionally structured composition taken in discrete and segregable areas and their replacement with a single unified, unvaried field, network, or other image that exists in unstructured space. Last, the paintings fill big canvases to allow those aforementioned visual effects both monumentality and engrossing strength.
The earlier Abstract Expressionists had two notable forerunners: Arshile Gorky, who painted esoteric biomorphic shapes with a free, delicately linear and liquid paint method; and Hans Hofmann, who had dynamic and powerfully textured brushwork in his abstract but conventionally composed artworks. An early and particular influence on nascent Abstract Expressionism was the arrival on Western shores in the late 1930s and early 1940s of a host of Surrealists and the European avant-garde artists who escaped from Nazi-dominated Europe. Those avant-garde artists quickly impressed the native New York City painters and showed them a more detailed understanding of the vanguard of European paintings. The Abstract Expressionist movement itself is now seen as having commenced with the pieces created by Jackson Pollock and Willem de Kooning throughout the late 1940s and early 1950s.
Remembering the variation of styles of the Abstract Expressionist movement, three broad approaches can be found. First was action painting which is characterized by a loose, speedy, dynamic, or violent handling of paint in sweeping or slashing brushstrokes, and in technique somewhat dictated by chance, such as dripping or spilling the paint straight onto the canvas. Pollock initially practiced action painting by dripping commercial paints onto a raw canvas to build up multilayered and tangled skeins of paint into thrilling and suggestive linear patterns. De Kooning utilised especially vigorous and expressive brushstrokes to create richly coloured and textured images. Kline specialised in mighty, sweeping black strokes on a white canvas for building starkly monumental forms.
The middle field of Abstract Expressionism is exhibited by numerous varied styles ranging from the highly lyrical, delicate imagery and fluid shapes in paintings by Guston and Frankenthaler to the clearly structured, forceful, almost calligraphic works of Motherwell and Gottlieb.
The remaining and least emotionally expressive approach was that of Rothko, Newman, and Reinhardt. These painters used large areas or fields of flat colour and thin diaphanous paint to find quiet, subtle, almost meditative results. The top colour-field painter was Rothko; the large part of his paintings consist of large-scale combinations of soft-edged, solidly coloured rectangular fields that tend to shine and resonate.
Abstract Expressionism cast a great influence on both the American and European art trends throughout the 1950s. Indeed, the movement initiated the transition of the creative centre of modern day painting from Paris to New York City during the postwar time. Throughout the period of the 50s, the the young artists of the movement increasingly came under the lead of the colour-field painters. By the sixties, those participants had largely moved away from the great expressiveness of the action painters.
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